
Cosmic Sound
"Music is the Universal Language of Humanity."
WORLD TOUR 2027/28

The legendary band Cosmic Sound, formed by Subhash Dhunoohchand and Anatholi Bulkin, swedish guitarist, in the 90’s will beck on stage for a tour from April 2026.
Subhash Dhunoohchand - tabla (Réunion)
Anatholi Bulkin - guitare (Suède)
Pt Sangeet Mishra - sarangi (Mumbai, Inde)
N. Rajaraman - ghatam (Chennai, India)
Sur Sangam: A Symphony of Cultural Fusion
The Sur Sangam project is a vibrant celebration of cultural fusion, an audacious blend in which each musician brings their own unique identity to create a singular sonic universe. Subhash Dhunoohchand, drawing on his mastery of Indian classical music, infuses the project with captivating ragas, intricate talas, and the intoxicating rhythmic energy of India. Anatholi, meanwhile, brings subtle jazz harmonies, compelling Latin rhythms, and a resolutely experimental approach. Finally, Hillai completes the trio with the expressive lyricism of the saxophone, captivating narrative improvisation, and a sensitivity deeply rooted in jazz.
Together, they create music in which improvisation becomes a metaphor for peaceful communication: Indian modes engage in dialogue with jazz harmonies, while rhythms intertwine, reflecting the richness and diversity of Réunion Island and the world. Their repertoire, inspired by stories, landscapes, and universal emotions, is an invitation to explore, combining composed structures with free improvisation.
Sur Sangam is much more than a musical project: it is a tribute to cultural diversity, non-violence, and the unifying power of music. Subhash Dhunoohchand has always viewed music as the universal language of humanity. With this trio, this vision takes on its full meaning. Inspired by Gandhian philosophy, the project transforms art into a tool for peace, dialogue, and reconciliation.
Every concert, workshop, and encounter becomes an opportunity to share, exchange, and build connections. Through their music, they demonstrate that cultural differences, far from being sources of division, can become a collective strength and a shared richness.
Press/Media
The embodiment of innovation





Biography
Indian, Eastern, Western, African, Cuban or other music, Music is the Universal language of Humanity and we acquire it just as spontaneously as we learn to speak.
The new Cosmic Sound project, a mix of Cuban, Indian and jazz fusion music, Subhash Dhunoohchand offers a collaboration with Swedish guitarist Anatholi Bulkin, the best sarangi player of his generation in India, Sangeet Mishra and Dominique Skorny, the maestro at piano. A captivating encounter that allows musicians to push the limits of their multifaceted musical language even further. Very energetic, originally formed in Sweden in 1993 by Subhash Dhunoohchand following his meeting with the greats of jazz from Scandinavian countries, the group is constantly evolving. Improvisation around a mode, a melody and a rhythm declined endlessly, the nuance makes sense when we know the importance of the theme both in jazz and Indian classical music. They have around a hundred dates to their credit (India, London, Spain, Sweden, Denmark, France, Mauritius etc…).
Subhash's motto is never to stop at the barriers established between styles. The group creates its music by drawing indiscriminately from all music from all over the world, so that each piece constitutes a particular cocktail. Their inspiration thus leads them to sketch a world such as we ultimately encounter it every day: mixed.
Subhash Dhunoohchand, the Maestro of Indian Jazz Fusion on tabla (Reunion)
Subhash Dhunoohchand in Mauritius. From a young age, he showed an early interest in music, inspired by the haunting melodies that floated through the streets of this mosaic island. His parents, recognizing his musical gift, encouraged him to follow his musical path.
Subhash studied Indian classical music and at the same time was exposed to fusion music from his adolescence. His virtuosity on tabla, a North Indian percussion instrument, attracted the attention of his teachers and peers. His desire to fuse the elements of Western jazz with the richness of traditional Indian music was the starting point of his career.
In the early 1990s, Subhash Dhunoohchand founded the band Cosmic Sound with other talented, like-minded musicians in Sweden. The group quickly became pioneers of Indian jazz fusion, exploring rhythms and harmonies to create a unique musical experience. Cosmic Sound has quickly become a respected name in the Indian and international music scene.
Subhash has brought many musical innovations within Cosmic Sound. He experimented with various instruments, from synthesizers to percussion, creating a sound that pushed the boundaries of jazz fusion. The group's original compositions incorporated elements of Indian ragas and complex jazz rhythms, creating a mystical harmony.
Cosmic Sound has conquered stages around the world with incredible performances. The group has played at renowned festivals in India, Mauritius, Reunion Island, England and Europe. Subhash's virtuoso solos on the tabla and his charisma on stage have won the hearts of music fans around the world.
Today, Cosmic Sound celebrates 30 years of existence, marking three decades of innovative music and captivating performances. The band has recorded several critically acclaimed albums and performed at world-renowned festivals. Subhash Dhunoohchand, as a leader, continued to push the boundaries of musical fusion, creating a unique musical legacy.
Despite his many musical achievements, Subhash Dhunoohchand remained humble and dedicated to his art. He has always devoted time to teaching tabla, currently at the Regional Conservatory, passing on his knowledge to the new generation of musicians. His influence extends far beyond the boundaries of music, as he has also been an advocate for non-violence, cultural diversity and cross-cultural understanding through music.
Anatholi Bulkin – guitar (Sweden)
Anatholi Bulkin performs and composes combining elements of Latin, jazz and blues in her music. At 40 years old, the versatile guitarist, composer, innovator and producer is a true magician with his guitar. Anatholi studied jazz at the Conservatory of Classical Music in Malmö, Sweden and was recognized as a master of arts in music. Anatholi Bulkin composed around 400 works. His compositions involve techniques and experiments with traditional rhythms (from Africa, Cuba, Brazil etc...). He loves to explore and develop rhythmic language and incorporate it into original, new and modern ideas in terms of melody and harmony. Anatholi studied percussion (congas, batá etc...) and traditional and modern rhythms. He lived with different tribes in Africa and recorded them.
His dazzling virtuosity and musical instinct have brought him the greatest successes. His meeting with Reunionese and Indian musicians enriched his already well-stocked sound horizons. He has recorded and played with musicians from the United States, Bangladesh, Africa, Denmark, Réunion, Sweden, Finland, India, Cuba, Brazil, etc...
Sangeet Mishra – sarangi (India)
Sangeet Mishra is the symbol of sarangi today in India. He comes from a line of remarkable musicians, from the Benares Gharana (school). Since childhood he has been gifted in singing and acquired high level skill in Hindustani singing under the guidance of Pandit Narayan Das Mishra. Subsequently, he received training and guidance from his grandfather Pandit Bhagwan Das Mishra - the world renowned Sarangi maestro and his father Pandit Santosh Kumar Mishra.
Sangeet has added new innovation and style to his Sarangi by blending a contemporary approach to this traditional instrument without abandoning its purity. He is a versatile performer collaborating with musicians of different genres and styles around the world and creating new musical language. His performances are a reflection of his achievements in the field of Indian Classical Music. An exceptional musician, he has already collaborated with the greatest Indian and jazz musicians. In a very short span of his life Sangeet made an effort to revive the ancient style of this soul touching instrument, the Sarangi. He acquired the 'tantakri' and 'gayaki' style of playing Sarangi from his father and practiced it since his childhood. Sangeet Mishra excels in musical improvisation both through the sustained melodic and rhythmic aspects, according to the precise themes defined by the type of raga mode chosen; and in his moving playing, vibrating the “hundred colors” of this sublime and demanding instrument that is the sarangi.

Tour Dates
THE INCARNATION TOUR in Reunion Island
November 2023
- November 15, DIPAVALI, Salle Lucet Langenier, St Pierre - Meeting
IN THE PROGRAM :
❖ 7:30 p.m.: Concert Cosmic Sound - Indian Jazz Fusion
❖ 8:00 p.m.: Indian dance
- November 17 6:00 p.m. to 9:00 p.m., LES NOCTURNES DU MADOI, with Cosmic Sound, Maison Rouge St Louis
Festive evenings around the exhibition “The Bestiary of MADOI. Fabulous, symbolic, sacred animals”.
Every month, the Museum of Decorative Arts of the Indian Ocean welcomes you for an artistic evening linked to the exhibition.
For this month of November, MADOI resonates with the sounds of the group Cosmic Sound, for an Indo Jazz fusion!!!
Special evening as part of the Dipavali festivities.
IN THE PROGRAM :
❖ 6:00 p.m.: Guided tour of the exhibition
❖ 7:00 p.m.: Aperitif with Indian flavors
❖ 8:00 p.m.: Concert by the group Cosmic Sound
Single price: €25
By reservation only: accueil.madoi@museesreunion.re / 0262 91 24 30
- November 18, DIPAVALI, Jardin de la Plage St Pierre - Meeting
Tour Dates 2019 in Reunion & Mauritius Island
- Friday April 12 at 6:00 p.m. Stella Museum Matutina St Leu
- Saturday April 13 at 8:00 p.m. India House St Louis
- Sunday April 14 at 8:00 p.m. Ashram l’étang St Louis
- Tuesday April 16 at 6:00 p.m., La Plaine, Plateau Noir St. Paul
- Wednesday April 17 at 6:00 p.m. Salle Moringue, Villèle
- Thursday April 18 6:00 p.m. Louise Payet School, Bois Rouge
- Saturday April 20 at 6:00 p.m., Chez Mme Taman, La Saline
- Sunday 28th April 7 pm, Kenzi Bar, Ave Petite Marie, Flic en Flac, (Mauritius)

Indian Music / Indian Music
INDIAN MUSIC
North Indian classical music is one of the most elaborate musical arts in the world. Leaving much room for improvisation, the structure of this music is governed by a system of melodic and rhythmic motifs respectively called raga and tala. Within the framework of these structures, the performer must create a new musical moment at each concert. According to tradition, the musician does not have a predetermined program, but plays the ragas that the moment inspires. However, the choice of raga-s is not completely random: according to an ancient philosophical tradition of several hundred years, a raga-s can be considered appropriate to a time of day, to a season of the year or to a particular state of mind.
Raga-s should not be confused with the idea of “scale” in the West: they are characterized by a much more elaborate pitch structuring of sounds. Thus, the order in which the notes of the raga are introduced, the way in which the raga is revealed and unfolds, are of the greatest importance. Likewise, ornamentations, one-note accidentals and melodic structure play a major role. From a historical point of view, the concept of raga can be compared to that of fashion used by the Christian church at the beginning of the medieval era.
Although there is a rating system, the tradition still remains very oral and is still passed on from master to student. To some extent, North Indian classical music concerts can be enjoyed in a similar way to jazz improvisations: musicians must demonstrate their knowledge of the tradition of a raga (just as a jazz musician must know the “harmonic grids”), and in both traditions the performer earns the esteem of his audience through his ability to shed new light on familiar tunes. The ultimate goal of the performer is to honor the integrity of the raga by performing it in a completely personal way.
Sarangi
Musical instrument, with bowed strings, widespread in India, Pakistan, Afghanistan, Nepal. It is made up of a wooden resonance box, a parchment (goat skin) soundboard, a wide and thick neck, without fingerboard or frets, fitted with three or four gut strings, and about thirty sympathetic strings (which vibrate in resonance without being played). There are different types of sarangi.
The strings are touched with the fingernails of the left hand, in a set of linked and sliding notes.
Part of the strings are placed on the neck, they can be played with the fingers of the left hand, another part is stretched in the instrument. We find popular, or old, instruments without soundboards and without sympathetic strings. The numerous side pins arranged along the handle are turned using a key. The strings are bowed with a bow, and the instrument is held vertically, placed on the knees, or against the feet, when the player is seated cross-legged. The name of this instrument is attested in the 11th century.
Table
The percussion ensemble called Tabla is made up of a small high-pitched drum called dayan and a larger bass drum called bayan. The bayan, operated by the left hand, plays the bass and downbeats. The dayan, operated by the right hand, plays the division figures. The skins of the dayan and bayan have a black center called the shyahi. This center, made of rice glue and filings, weighs down the skins and gives them their characteristic sound. It is by moving his fingers from the center to the periphery that the player obtains the variety of shots. Both drums are tuned to the drone. The dayan in any case clearly emits this note and its harmonics. The player tunes it using a small hammer. The bayan agreement is less precise. It is with the support of the wrist that the player adjusts the pitch of the bass notes. He can thus manage to reproduce melodic lines.

Subhash Dhunoohchand
TABLATRONIC World Peace
A tabla virtuoso forging harmony between tradition and innovation
Subhash Dhunoohchand, renowned percussionist and composer, is one of the most compelling voices in contemporary fusion music. Born in Mauritius into a deeply musical family, he grew up surrounded by Indian classical traditions, jazz, African rhythms, and Western influences. His father, a folk singer, and his brothers, tabla and dholak players, awakened in him a passion for rhythm that would shape his entire artistic journey.
Beginning in 1993, Subhash performed across Europe—especially in France, India, Sweden, Spain, and the United Kingdom—gradually developing the distinctive style that defines him today. In 2000, he launched TABLATRONIC World Peace, an innovative project blending Indian classical music, world music, and cutting-edge electronics infused with the spirit of the French Touch. Over the years, the project has evolved through concerts and artistic encounters, reaching audiences in Colombia, the Philippines, Oman, Kenya, New York, and far beyond.
At the heart of TABLATRONIC lies a seamless fusion of sound and visuals. Subhash orchestrates every aspect of the performance in real time through computer-assisted music (MAO) and his tabla, creating an immersive, multimedia experience. By inviting artists from diverse cultural backgrounds to join him on stage, he perpetuates the vibrant tradition of Indian improvisation while opening new pathways of collaboration.
More than a meeting of musical genres, Subhash’s work carries a powerful message of love, non-violence, and peace. His compositions—shaped by his travels and the people he encounters—embody a profound quest for harmony between cultures. TABLATRONIC offers audiences a sensory journey where the heartbeat of the tabla merges with electronic pulses, and each motif becomes an invitation to unity.
Recognized as one of France’s most innovative artists, Subhash Dhunoohchand continues to inspire through his mastery, creativity, and humanism. TABLATRONIC World Peace, celebrated as a milestone in fusion music, shows that tradition and modernity can coexist to create something timeless. For Subhash, music is a universal language—an instrument of connection, understanding, and peace.
“The combination of these musical styles reveals the many emotions of life. I believe that TABLATRONIC will significantly influence new musical trends and the rising fusion between tabla and electronic music.”
- Concerts Dates -
Concerts 2025
- Janvier 2025 tournée à Perth - Australie
- 26 février Mahashivratri Ashram du Port - Reunion
- 14 mars Holi à St Pierre - Reunion
- 09 mai Barzakh Cafe, New York - USA
- 10 juillet Guru Purnima, St Louis - Reunion
- 02 Octobre Gandhi Jayanti, St Louis - Reunion
- 11 Octobre - Bandrélé, Mayotte
- 21 Octobre - Resto Devi, St Pierre - Reunion
- 26 Octobre - Dipavali, St Pierre - Reunion
- 08 Novembre - Technopole, Dembeni - Mayotte
Concerts 2014
January/Janvier – India Tour
07.01 - Jawahar Kala Kendre, Jaipur – India
09.01 - NRI Music & Dance Festival, Apparel House, Sector 44, Gurgaon, India
10.01 - Duo Abhik Mukherjee - sitar & D. Subhash – tabla - Habitat Centre, Lodi Road, N-Delhi
17.01 - Banaras Hindu University Auditorium, Varanasi, UP, India
19.01 - ISKCON Juhu Auditorium, Mumbai, India Tel: +91 2620 6860
26.01 – Republic Day of India, Theatre Champfleuri, St Denis - Reunion
28.02 – Auditorium Alliance Francaise of Moroni, Grande Comores
06.03 - Alliance Française of Mutsamudu, Anjouan
09.03 - Place de l'Indépendance Fomboni, Moheli
18.03 - Alliance Française of Kisumu, Kenya
21.03 - Alliance Française de Nairobi, Kenya
22.03 - Aga Khan High School, Main Hall, Kampala – Ouganda
23.03 - Tilapia Bar (Jazz Club), Kampala, Ouganda
April/Avril – Tamil New Year Festival
03.04 – Kabardock, Le Port, Reunion Island
12.04 – Musée Madoi, St Louis, Reunion Island
15.04 – Moca, St Denis, Reunion Island
10.05 – Duparc St Marie, Reunion Island
27 sept 2014, Heaton Mersey Community Centre Auditorium (Manchester) UK.
24 Oct Satnarayan Mandir, Waltham Cross, London – UK
01 Nov 2014, Teatro Milano, Milan - Italy
Concerts 2013
07 déc – Baz’Art , Mahebourg, Mauritius
14 déc – Festival ENN, Le Sapin - Rose Hill, Mauritius
26 déc Zara The Tapas Bar, 71, Cathedral Rd, Gopalapuram, TN 600086, Inde
27 déc 10h00, Master-class au l’Université de Madras, Chepauk Cumpus - 600 005 Chennai
27 déc 21h00, Qbar, Hilton Hotel, 124/1, JN Salai, Ekkaduthangal, Chennai
29 déc Budha Garden, Express Avenue Mall, Whites Road, Royapettah, Chennai 600014
31 déc The Phoenix Marketcity, 142, Velachery Main Road, Chennai 6000042
CONTACT
Booking India/Asia
Exodus: eddiejosh@gmail.com
Management
Shruti Music
Booking Reunion
Press
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